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Please Log in to join the conversation. Pro Consumer. Index Recent Topics Search. Welcome, Guest. Username: Password: Remember me. Forgot your password? Forgot your username? Co Final Cut Pro Forum. Pixelmator - offline manual or guides?
New boarders will have their posts moderated - Don't worry if you cannot see your post immediately. Read More Anyone here use Pixelmator? Does anyone know if its possible to get an offline manual or a book about it? I know there are online tutorials but my internet is limited at the moment. The 'Help' section only works online too. Just looking to do doownload basic photos editing work, and compositing, but the program is not behaving the way I больше на странице expect it to.
Here is a good start www. Thanks Maki for the links, however the PDF is for an older version of Pixelmator, and my internet is just too slow at the moment to watch the video посетить страницу источник. Is anyone else pissed at the pixelmator pro user manual free download so many programs have a 'Help' guide that only works when the computer is online?
Why not just make it offline? Ben, do you know if there xownload any official manual for Pixelmator 2. Anyone using Aperture here too? It seems to be missing too many simple pixelmator pro user manual free download, hence why I got Pixelmator.
Last edit: by simonpwood. If you have Photoshop, and it does everything you need, then I'd stick pixelmator pro user manual free download it. For some of us, Aperture and Перейти do everything we need. I just disconnected from the web, and Pixelmators help came up just fine. Nah, I dont have Photoshop. I used to have it on a PC a couple of years back, but since I bought a Mac I have been trying to buy Mac-centric software, and support the little software developers over the bigger guys.
I'm not complaining proo Pixelmator, I think its a nice piece of software with a great price, but I am a bit confused about the lack of an official manual to download. I am surprised that your help works offline; when I did an internet search for the manual I came across a lot of complaints from other people mentioning the lack of offline help. I dont need a lot of yser more unusual plug-ins that Photoshop has, but I was a bit disappointed that things like photo-stitch or photo-merge are missing from both Pixelmator and Aperture for creating panoramic photos.
Pixelmator is a rather new app, just pixlmator FCP X. I view them both in the same light. They both have undergone a lot of evolution, but have much more to go through. Fortunately, both development teams are releasing updates frre quickly. I remember looking for photo stitching apps in the App Store once and finding several. That's been some time ago, but it may be worth a look. Probably something really cheap out there. Also, Pixelmator is open to user feedback and feature requests.
Drop them a line and see what they say. Yeah, I think Pixelmator has a bright future ahead; they are off to a good start I think they were one of the top apps in the app store last year, and they get positive reviews everywhere. The price cant be beat. I will definitely send them some feedback regarding a PDF manual, and perhaps a photo-merging plug in.
Take a look at the latest version of GIMP as well if you haven't already. Finally got it native in OS X and like Pixelmator its got some things that it does well and some things that pixelmator pro user manual free download needs work on.
Its heading towards a GEGL framework for its next big update which, as I understand it, means its going to incorporate a node based interface.
Not sure if its going to uder in addition to the layer based interface or not. I digress. Its free and worth a look. Have not looked back since switching to Pixelmator about 5 years ago.
Photoshop for me is bloated and looks like a house in which the roof has been raised, a conservatory added and the garage converted pixelmator pro user manual free download a granny flat! It just does not rock my boat! Also remember that Pixelmator is a Quartz Composer based app. Which means if you take the little time dkwnload to learn QC its actually free easier than most folks thinkyou can create your own plugins.
I'm not saying PDF manuals are outdated, not at all. But the motivation for manuals that access the internet is so they can be corrected and updated much more often, much more quickly, much more easily, than a PDF or being forced to wait for a major update of the app. Just saying there is workflow and financial incentives for developers to go that route.
We may not like it, but there you have it. Let developers know what you want. Last edit: by BenB. Pixelmator based on Quartz Composer? Quartz Composer easy? That's a bit like saying cooking is easy. It is one of the technologies it uses. Actually it is way easier to add custom QC pixelmator pro user manual free download, as long as they're not animated. I've just started learning QC, and I will say it is much easier /4798.txt learn than you'd think.
We finally have pixelmator pro user manual free download great book for beginners now. Page: 1. LOVE Pixelmator! Posts: Karma: 2 Thank you received: I'm a huge fan of Pixelmator - it offers everything I need for my hobby for an unbeatable price. But I noticed, the Dev Team of Pixelmator is very helpful and responsive! So, dropping a note, a suggestions or reporting flaws does improve that источник статьи program!
Posts: Karma: 3 Thank you received:
Welcome - Pixelmator Pro User Guide - New to Pixelmator Pro?
Pixelmator pro user manual free download -
Pixelmator Pro doesn't pull punches when it comes to editing photos. It's not generic applications of filters, it's not a set of precanned special effects. From their AI Enhance to non-destructive highly-granular controls for experts, coupled now with automation I'm constantly turning to Pixelmator Pro and it'd got my back every time.
Like many, I have used Photoshop for a very long time—since the early 90s. I was very upset when Adobe switched to a subscription model which I thought was expensive, and started to look for a replacement. I had dabbled with Pixelmator a few years ago but was able to keep Photoshop CS5 going on my Mac and was able to stick with it, even as far as Mojave. But then a few months ago, Photoshop finally started to crash every time I launched it and I was unable to use it anymore.
I tried Affinity Photo after having read good reviews, and it is a powerful program, but the User Interface and commands are too different from Photoshop and the learning curve was too steep for me. So I gave Pixelmator a second look and was pleased to find that the UI and commands were quite intuitive and more similar to Photoshop. I highly recommend this app: it fulfills all my needs and the price is right. It's easy to use and works great.
You can't go wrong with this. I highly recommend it. Privacy practices may vary, for example, based on the features you use or your age. Learn More. Mac App Store Preview. While moving, any pixels that show white are in the selection, while the black pixels will not be added into the selection. To draw a selection from its center, hold down the Option key after you begin dragging. Lasso Tool Lasso Tool lets you make freehand selections. To use the Lasso tool:. Select the Lasso Tool in the Tools palette or press L on your keyboard.
Choose a selection mode in the Lasso Tool Options palette:. Select a Marquee Tool in the Tools palette. Press the M key for New Draw a new selection.
Rectangular Marquee and press the Y key for Elliptical Marquee. Add to the border of an existing Add To 2. Choose a selection mode in the Tool Options palette: selection. Subtract from the border of an existing Subtract From selection New Draw a new selection. Check the Anti-alias setting for smoothing the edges of a Add to the border of an existing Add To selection.
For jagged but precise edges, uncheck the Anti-alias selection. Subtract from the border of an existing Subtract From 4.
Drag to draw a freehand selection. If selecting with the Elliptical Marquee Tool, check the Anti-alias setting for smoothing the edges of a selection. For jagged but precise edges, uncheck the Anti-alias checkbox. Drag over the area you want to select. Check the Anti-alias setting for smoother edges of a selection. For jagged, but precise edges, uncheck the Anti-alias checkbox. Click in the image to set the starting point. Continue clicking in the image to set endpoints. Once you are done, close the selection by doing one of the following:.
To use the Polygonal Lasso Tool:. Select the Lasso Tool in the Tools palette or press L on your keyboard and choose Polygonal tool type in the Tool Options palette or press the L key again. New Draw a new selection. To cancel drawing the selection using the Polygonal Lasso Tool, Add to the border of an existing press the Escape key on your keyboard. Add To selection. Tool, press Option key on your keyboard when making a selection with the Polygonal Lasso Tool.
To use the Magic Wand:. Release your mouse after you are done, and the colored area will Add to the border of an existing change to selection. Subtract from the border of an existing Subtract From selection. Check the Sample All Layers checkbox if you want to make a selection from all visible layers. With Sample All Layers unchecked, it will only make a selection from the currently selected layer.
Check the Anti-alias setting for smoothing the edges of a selection. Click the color you want to select in an image and slowly drag over it. As you drag, the colored area selection grows to include the contiguous area that uses similar colors. Pixelmator allows you to easily enhance your selections simply by moving, inverting, transforming, adding to or subtracting from them or using the Refine Selection Tool.
In addition, for more precision, selections can be edited in the Quick Mask mode. You can also use the Refine Selection tool to quickly smooth, feather and change the size of the selection.
For more precise selecting, you can use the Quick Mask mode. Move a Selection Border To move a selection border, position the pointer of the selected selection tool inside the selection border and drag to move the border. Tip: To move the selection by 1 pixel, use the arrow keys on your keyboard. To move the selection by 10 pixels, hold down the Shift key and use the arrow keys.
Invert Selection To invert the selection, do one of the following:. Tip: Inverting a selection is very useful when cutting out objects that are placed on a solid color background. Then you can copy or cut your object. There is also a Magic Eraser tool that can help you remove solid color background instantly by just clicking and dragging on it.
To move the selected pixels use the Move tool. Subtract from Selection To subtract from a selection using any of the selection tools, do one of the following:. Notice that the minus sign appears next to the mouse cursor so you know what the current selection mode is. Make a selection. Notice that a plus sign appears next to the mouse cursor so you always know what the current selection mode is. Scale and rotate your selection using the Transform controls.
For more information about Transforming, see Chapter 19 in this manual. Refine Selection Use the Refine Selection tool to make a smoother outline, to soften edges of a selection or even change the size of a selection. To use the Refine Selection:. Adjust the Smooth slider to create a smoother outline, adjust the Feather slider to soften the edges of a selection, and if needed, adjust the Size slider to shrink or enlarge your selection edges.
Note: The preview that you see when using the Refine Selection tool is in a Quick Mask mode; red overlay area is not included within your selection while the clearly seen area is in your selection. Quick Mask mode helps you to better see how smooth the edges of your selection are. Quick Mask Mode Note: Painting in black in Quick Mask mode will deselect painted areas The Quick Mask mode in Pixelmator allows making precise while painting in white will select more of an image.
Painting with adjustments to selections. In the Quick Mask mode selection is other colors in Quick Mask mode will create a semitransparent areas converted to a temporary mask for easier editing. The Quick Mask which are useful for feathering the selection. For example, you can feather your selection by adding Gaussian Blur to selection in the Quick Mask mode.
You can now make any further adjustments to your image. To use the Quick Mask mode to edit part of the image:. Use any of the selection tools to select the part of your image you would like to edit. Click the Quick Mask mode button in the Tools palette or press Q on your keyboard.
A red overlay appears which protects the area outside the selection. Use any of the painting tools, selection tools or filters to modify that colored overlay.
Chapter 8: Working with Selected Pixels. Once you have made a selection, you can move, copy, delete, extract, add filters or adjust color of the area that is in the selection. Select the Move Tool or press V on your keyboard. Move the mouse pointer inside the selection border and drag the selection area to a new position. Copying and Pasting Selected Areas Copy between applications: You can use Copy, Cut, or Paste Use the Copy and Paste commands to copy selected areas to other commands to copy selected areas from Pixelmator images and paste them into other applications i.
Pixelmator documents or even other applications. To copy a selected area: Deleting Selected Areas 1. Select the area you want to copy using any of the selection tools.
You can use any of the selection tools to select objects in your images that you want to delete or cut. To cut the selected are from the image:. To delete the selected area from an image, do one of the following:. Painting tools in Pixelmator offer you the ability to use different brush sizes, shapes, advanced settings, and blending modes when painting.
You can paint with Pixelmator as you would traditionally, play with beautiful gradients, or fill colors with other ones. With its advanced retouching tools, you can easily blur hard edges or sharpen fuzzy areas of your image.
Or you can paint with a sample of an image to remove wrinkles from faces or scratches in your photos. Painting tools in Pixelmator offer you the ability to use different brush sizes, shapes, advanced brush settings, and blending modes when painting.
You can paint with Pixelmator as you would traditionally, play with beautiful gradients or fill colors with other ones. The difference between the Pencil and Brush is that the Brush tool creates soft strokes of colors while the Pencil tool creates hard- edged lines. Choose a foreground color. For more info about choosing colors, see Chapter 4. Select the Brush tool B to paint soft strokes or the Pencil tool P to paint hard-edged ones.
Choose Brush presets from the Brushes palette. For more info about the Brush presets and Brushes palette, see Chapter For more information about the blending modes, see Chapter Using the Opacity setting in the Tool Options palette, you can set the transparency of the color you apply.
To set other percentages of opacity, adjust the opacity slider in the Pencil or Brush Tool Options palette. For more information about the Blending Modes see Chapter Draw a straight line: To draw a straight line, click a starting point in the image; then Shift click an ending point.
You can also drag in an image with the Shift key pressed to draw a straight line. Eraser Tool The Eraser tool works just like a traditional drawing tool. Use Eraser tool to erase your images to transparency. Choose a Brush preset from the Brushes palette. Choose a mode for the Eraser tool. Brush mode will erase using brush strokes, while Pencil tool mode will erase with hard-edged strokes.
Erase a straight line: To erase a straight line, click a starting point in the image, then Shift click an ending point. Magic Eraser tool is different from that Eraser tool and is explained in later chapters in this manual. To do that, simply press the Option key on your keyboard when Paint Bucket tool is selected.
To fill using the Paint Bucket tool: You can also use the Fill command to fill layers or selections. The Fill 1. Select the Paint Bucket tool N. Choose a foreground color since Paint Bucket fills using that color.
For more information about the blending modes see Chapter Set the Opacity in the Tool Options palette by adjusting the Opacity slider. Check the Anti-alias checkbox in the Tool Options palette so that edges of the fill area are smooth. If the checkbox is unchecked, there will be hard edges around the fill area. Click the color in the image you want to fill and then slowly drag over it. As you drag, the filled area grows to include the contiguous area that has similar colors.
You can control how much of the image is filled by dragging less or more. Paint Bucket contextual menu: Control - click or right mouse button click anywhere on an image and the Paint Bucket contextual menu will appear. You can use the contextual menu to quickly set the blending mode for Paint Bucket. Gradient Tool Use the Gradient Tool to fill an entire layer or selection with multiple colors that have a gradual blend between them.
Pick a gradient preset in the Gradients palette or create your own. For more information about how to create your own, see Manage Gradient Presets later in this chapter. Position the pointer on an image where you want to set a starting point and click to set the starting point of the gradient. Tip: The Gradient tool icon in the Tools palette always shows which gradient preset is currently selected in the Gradients Palette.
Position the pointer and click on an image again to define the ending point. Manage Gradient Presets 4. Color Stops represent your color settings along a spectrum that You add, remove and edit gradients and gradient presets using the you create.
A gradient will always have at least 2 colors. You can Gradient Palette in Pixelmator. Gradient palette keeps gradient vary your gradient by adding or removing stops, adjusting their presets that you use often. Click any of the color stops to fine tune its color with the Apple 2.
Click the plus button in the Gradients palette or right mouse Color palette or set the opacity level. A Gradient Editor sheet appears.
Gradient type: this is where you select the gradient type. Click OK to save your new gradient. Edit Gradient Gradient preview To edit a gradient that is in the Gradients palette, do one of the following:. Choose the gradient type: Choose Edit Gradient The way in which your gradient is displayed in the well will depend on the gradient type selected. Fill and Stroke 3. Specify the blending mode and opacity for the fill.
Use the Fill command in Pixelmator to fill the inside of a selection or 4. Check the preserve transparency checkbox to fill only those areas layer with a color or Stroke command to paint a colored border containing pixels.
Click OK to apply the fill. Fill To fill a layer or selection with color: Paint Bucket: Use the Paint Bucket tool to fill the similarly colored area in your image by clicking and dragging. As you drag, the filled area grows to include the contiguous area that uses similar colors. In the Fill palette, choose the color you would like to fill with. By default it will use the foreground color.
The command will use the currently selected foreground color and recently used Fill settings to fill. Stroke To stroke a selection or layer with color:. In the Stroke palette that appears, choose the color you would like to stroke with. It will use the foreground color by default. Specify whether to place the border inside, outside or centered over the selection or layer boundaries. Check the preserve transparency checkbox to stroke only those areas containing pixels.
Or paint with a sample of an image to remove wrinkles from faces or scratches in your photos. It is useful for duplicating objects or removing defects in images. Choose Brush preset from the Brushes palette. Move your mouse pointer over an image area and click to define the clone source. To change the clone source point, press the Option key and click another area you would like to set as the clone source.
To set an other percentage of opacity, adjust the opacity slider in the Pencil or Brush Tool Options palette. Check the Sample All Layers checkbox in the Tool Options palette to include all layers as a clone source.
Otherwise it will paint with the currently selected layer as the only source. Drag in an image to paint. Blur Tool Use the Blur tool to blur image areas. Sharpen Tool Use the Sharpen tool to sharpen soft image areas.
Magic Eraser Tool Use the Magic Eraser tool to remove certain colors in an image until it is transparent. It is useful for removing unwanted background or other colors.
It is also useful for exctracting objects that are photographed on a single color background. Tip: The same result as using Magic Eraser tool can be achieved by using the Magic Wand tool to select the area and deleting that selected area. However, using the Magic Eraser tool is much faster. Select the Magic Eraser Tool or press E twice on your keyboard. A single press will bring up the Eraser while pressing again will cause a switch between Eraser and Magic Eraser tools.
Click the color you want to make transparent and then slowly drag over it. As you drag, the selection grows to include the contiguous area that uses similar colors. You can control how much of the image is deleted to transparency by dragging less or more. To remove areas that are less distinct, select a smaller area and repeat the process. Chapter Brushes. Brushes are the key to painting. Pixelmator features an impressive collection of brushes and gives you the ability to create your own brushes with advanced settings.
In addition to sharing your brushes with other Pixelmator users, you can also import Adobe Photoshop brushes. You can create new, modify, save and share your brush hardness presets. Click on any of the brushes in Brushes palette to select it. Brush presets are stored in the Brushes palette. Brush preset settings can be modified in the Brush Editor sheet. Modify brush preset settings see bellow for more information about the brush settings in the brush editor.
Drag and drop the picture from your desktop that you want to use as a brush onto the Brushes palette or Brush editor sheet. Double click the brush that appears in the Brushes palette to modify it. Drag and drop the layer from your Layers palette that you want to use as a brush onto the Brushes palette or Brush editor sheet.
Double click the picture that appears in the Brushes palette to modify it. Edit Brush Preset To Edit a brush preset:. Double-click a brush in the Brushes palette to make a brush editor to appear.
Adjust the brush settings. For more information about the brush settings, see below. Duplicate Brush Preset To duplicate a brush preset:. Control-click or right mouse button click on a brush preset in the Brushes palette to make the brushes contextual menu appear.
Control-click or right mouse button click on a brush preset in Brushes palette to make the brushes contextual menu to appear. Choose Remove Brush from the brushes contextual menu. Brush Preset Settings Brush preset stores the shape, diameter, hardness, spacing, scatter, flow, follow angle, shape jitter, color jitter, graphics tablet sensitivity and control by mouse speed settings. However, since there are two types of brushes in Pixelmator such as simple brush and bitmap brush some settings such as angle jitter and follow direction are not available for simple brush while hardness is for simple brush only.
Adjust these brush settings to achieve desired results or simply to experiment with painting. Keyboard Shortcuts for Diameter and Hardness Use keyboard shortcuts to change the diameter and hardness of brushes as well as navigate through brushes in the Brushes palette when painting.
Control using Graphics Tablet and Mouse In Pixelmator you can control your brush diameter, scatter and flow settings with graphics tablet sensitivity or use mouse or tablet tracking speed. To control the minimum brush size by graphics tablet sensitivity or tracking speed:. Double-click the brush on which you would like to adjust the graphics tablet or tracking speed control to make Brush editor sheet appear.
In the Brush editor sheet, click on a diameter, scatter or flow value number to make the graphics tablet and tracking speed menu appear.
Brush Sharing Sharing your brushes with other Pixelmator users is as simple as dragging and dropping brushes from the Pixelmator Brushes palette onto your desktop, and vice versa. In addition to letting you load and save brush presets, Pixelmator also lets you import Adobe Photoshop brushes.
Again, it is as simple as dragging and dropping. Click and drag the brush onto your desktop. A brush preset document is created on the desktop. Choose Import From File Importing a brush preset is the same whether you are importing Pixelmator-created or Photoshop-created brushes.
Chapter Opacity and Blending Modes. Painting tools in Pixelmator offer you the ability to paint in different blending modes with any opacity setting. About Blending Modes The blending mode specifies the way in which the painting tool brush strokes interact with the color of an image on which you are painting. Blending modes with painting tools can be used to achieve special effects, to make photo improvements or to retouch photos.
By default, the blending mode for painting tools is set to normal, which causes the brush strokes to paint traditionally over the image while other blending modes offer a wide variety of different interactions. Basic blending modes replace the base pixels, Darken ones darken interacting pixels, Lighten - lightens, Contrast modes increase or decrease the contrast of interacting pixels, Comperative - inverts color, and HSL modes apply a specific color component.
For more in-depth description of each blending mode, see the Blending Modes Overview section later in this chapter. In the Tool Options palette, select any of the blending modes from the Blending pop-up menu.
Blending Modes Overview A list of blending modes that can be used with painting tools or layers in Pixelmator:. Blending Mode Description Preview. In order to see the effect of the Dissolve blending mode, you will Dissolve need to reduce the opacity in the Tool Options palette.
Paints behind an image. Best visible if image or layer you paint on is Behind smaller than canvas size. Good for quickly making shadows. Paints by creating a darker result. Lighter pixels are dropped out Darken completely. The result is similar to the Multiply mode, but it creates more intense color Linear Burn saturation. Similar to Darken mode. Paints by choosing the lowest pixel values to Darker Color create the resulting color.
Paints by creating a brighter result. Pixels darker than the brush color are Lighten replaced. Color Dodge Paints by creating exaggerated color saturation effect. Linear Dodge Paints by creating more intense color saturation.
Soft Light Paints by creating a lighter or darker result, depending on the brush color. Paints by lightening or darkening the image, depending on the brightness Hard Light of the brush color. Contrast is also increased. Paints by creating a highly saturated result that is similar to Color Burn Vivid Light mode, but is not as dark.
Pin Light Paints by preserving the lighter tones and highlighting the blend value. Hard Mix Paints by creating the posterized effect. Paints by applying the saturation of brush to the image while retaining the Saturation hue and luminance of the image. Paints by coloring the image while changing the saturation via neutral Color colors.
Paints by applying the brightness of brush colors to the image while Luminosity retaining the hue and saturation of the image. The best way to learn blending modes is to experiment with them. Pixelmator is a layer-based image editor. Layers are the building blocks of your composition. You can create layers from your photos, pictures, from selections, iSight or even from scratch. To show the Layers palette: Layers are the the base of non-destructive image editing.
They are like sheets stacked one on top of another. Though using layers is not necessary, it is always recommended. Even when you use the paste command, Pixelmator will automatically create a new layer for you. Chapter Working with Layers. You can create new, duplicate, rename, load as selections, hide, link and arrange added layers, but Pixelmator also allows you to blend layers, change their opacity, create clipping masks and much more.
Type a name for a layer, choose blending mode, set the opacity and click OK. From the selection tool contextual menu choose one of the following:. Click the Record button, and wait a few seconds while Pixelmator captures the picture. If you like your picture, click OK. Duplicate Layers To duplicate layers within an image:. Managing Layers Once layers are created, you can show, hide, select, move, change stack order, lock, unlock, link, unlink, rename, delete, rasterize, merge and flatten them.
Select Layers Link and Unlink Layers To select a layer in the Layers palette, do one of the following: Linked layers keep their linking until you unlink them. You can move or apply transformations to linked layers. Select the layers in the Layers palette that you would like to link.
Click the Link button in the Layers palette. To unlink layers, select any of the linked layers and click the Link To select layers in the document window: button. The contextual menu lists all the layers that are below the cursor that you can choose to select. Change the Stack Order of Layers Rename Layer To change the stack order of layers, do one of the following: To give a layer a name, double-click the layer name in the Layers palette and enter a new name.
Send Backward or Send to Back. Tips: Once a layer you would like to move is selected, you can move it using the Move tool, but you can also nudge the layer by pressing arrow keys on your keyboard. To nudge a layer by 10 pixels, hold down the Shift key and press an arrow key on your keyboard. Select the layers you want to merge. Select a layer. Do one of the following 2. Delete Layers To delete a layer:. Backspace keyboard shortcut will not delete a layer if a selection is made or you are typing.
Instead, it will delete a selection or type. Opacity and blending can be used to create a variety of special effects. In the Layers palette, choose any of the blending modes from the Blending pop-up menu. A description of blending modes is available in Chapter 12 of this manual. Masking Layers Delete Layer Mask To remove a mask from a layer: Masking layers is a non-destructive way to hide parts of layers. In addition to adding masks, you can also delete, show or hide, link or 1.
Select a layer with the mask you want to remove in the Layers unlink and edit them using any of the painting and color correction palette. Select a layer in the Layers palette. To create a clipping mask:. Select the first layer above the base layer in the layers palette.
A white mask thumbnail near layer thumbnail in the Layers palette 2. Do one of the following. Select a layer mask you want to edit in the Layers palette. Use any of the tools to edit the layer mask. To remove a layer from a clipping mask, do one of the following:. Show or Hide Layer Mask 1. Select a layer in the clipping mask. To show or hide a layer mask: 2. Do one of the following: 1. Select the layer mask in the Layers palette.
To unlink or link a layer from its mask, click the Link button between the layer and its mask in the Layers palette. Chapter Type Layers. You can create a line of text type or paragraph type.
Position the pointer over the bounding box handle and drag. Editing Type 4. The Type tool in the Tool Options palette provides options for formatting characters. Some formatting options are also available Once a type layer is created, you can edit, check and correct in the default Fonts palette.
To display the Fonts palette, do one spelling, format type characters and rasterize the type layer. Select the Type Tool in the Tools palette. Rasterize Type Layer 2. Position the pointer on the text and click to set the insertion In order to add special effects, paint on, or use color correction point. Enter text. Rasterizing converts the type layer into a normal layer and makes the text in type layer uneditable.
Make changes by choosing any other tool in the Tools palette or by pressing Escape on your keyboard. To rasterize the type layer:. Check Spelling and Grammar 1. Select the Type layer you want to rasterize.
To check spelling and grammar: 2. Select the text you want to check with the Type tool. You can use a variety of fonts in Pixelmator, and you can change the way they look.
Select the Type tool. Position the Type tool cursor in the text, click and drag to select one or more characters. Pixelmator is a real filter machine. It has over filters and special effects to meet your needs. Just choose any of nicely designed distortion, blur sharpen, color, stylize, halftone, tile generator, transition and Quartz Composer filters and see the results in real-time.
This chapter provides a basic introduction to filters and tells you how to appy them to your images. Pixelmator includes over different filters to meet your special effects and other editing needs. Simply launch Pixelmator, open a photo, and choose Filter menu. Filters are especially useful when you are a more advanced user and know some tips and tricks that take advantage of using a bunch of filters in a row to achieve one effect.
It is also noteworthy that due to its powerful plug-in architecture, Pixelmator fully supports third-party Core Image Units or Quartz Composer compositions as filters. Applying Filters You use the Filter menu in Pixelmator to choose filters that you would like to apply. Filters can be applied to selections or layers. Each Filter palette contains individual parameters and you can specify a range of values.
Use the filter controls such as sliders to change parameter values and use the rope to point to the center of the selected filter. Chapter Filter Overview.
In Pixelmator you can use any of the nicely designed distortion, blur, sharpen, color, stylize, halftone, tile generator, transition and Quartz Composer filters. In addition, you can edit images elsewhere on your Mac and even external locations like iCloud Drive and USB drives with ease. Notify me via e-mail if anyone answers my comment.
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